What is philosophy?
First, let’s be
clear: there are two kinds. Academic philosophy is the sister to science and
mathematics. Literary philosophy is of a different family, that of novelists
and playwrights. I’m a literary philosopher. I follow in
the tradition of other literary philosophers, such as Nietzsche, Camus, and
Santayana.
Academic philosophy
concerns itself with propositions to be debated, bringing in the points and
counterpoints of as many other philosophers as would be illustrative, and then
debating the merits of them all. Literary philosophy, by contrast, has a
different aim entirely, which is to describe. To describe the world and life in
the world as the philosopher sees it, often in a narrative form, often with
picturesque language, often autobiographically.
Academic philosophy
concerns itself with propositions that require proof. It avoids inductive
reasoning, which is reasoning from personal experience to make global
assertions. Academic philosophy considers inductive reasoning to be
illegitimate because personal experience can never be proven to be globally
valid. Literary philosophy, by contrast, has no problem at all with inductive
reasoning, because literary philosophy doesn’t concern itself with proof, but
rather, with assertions that emerge organically from the general experience of
living in the world. Its audience is not the rigorous logicians, but rather,
anyone whose general experience of living in the world is such that the
philosopher’s assertions ring true.
Literary philosophy has
an aesthetic dimension, as is certainly true of Nietzsche, Camus, and Santayana.
Reading them is like reading the exposition in novels and plays. Their prose is
crafted not as a dialectic (a word that makes me think of “diuretic” and with
good reason) but as journalism, or history, or the narration of a documentary
film. They have far more in common with the essays of George Orwell than with
the gray analytics of Kant.
The poet John Keats
wrote in his Ode on a Grecian Urn: “Beauty is truth, truth beauty, -- that
is all ye know on earth, and all ye need to know.” The literary philosopher finds
much to agree with in that, demurring only due to this key point: Ugliness,
too, is truth, and truth ugliness. Literature in all its moods is wisdom.
Perhaps the foregoing
will assist you in understanding me. ISCHYROS DIAVOLOS!

The Wall